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Autocade Team

Woman on couch with laptop, photographed by Andrea Piacquadio.

Open forum: over to you

One of our regular visitors at the original Autocade reference got us thinking: now that that part of the site has no comment form, how can people give us feedback? The reasons for the form’s removal are here, and we haven’t found a replacement that we can easily install. So in the interests of hearing… Read More »Open forum: over to you

Hyper GT, in red, with a couple conversing.

You’ve read it, what did you think of it?

Here’s where you can add your thoughts about Autocade Year of Cars 2025: what you liked about it, what you’d like to see more of, and what you’d want to see less of.

Lotus Emeya, in yellow.

The four-door Lotus

At over 2,000 kg, the Emeya GT saloon might be unusual to Lotus purists, but it makes more sense than earlier four-door cars that bore the badge

2023 Toyota bZ4X XLE in white, viewed from the rear.

Top 10 car makers by sales, 2024

For those who bought Year of Cars 2025, you’ll have seen a table that shows the top 10 in 2003, 2013 and 2023, though the last one was from a different source. There are new figures now based on units sold for 2024, detailed below. Toyota 10·39 million Volkswagen 8·48 million Hyundai 6·82 million Renault… Read More »Top 10 car makers by sales, 2024

Innocenti Morris IM3.

Innocenti’s ADO16s

One of the regular types of updates we did on Facebook was letting followers know about the latest additions, whenever we finished a series of them. Therefore, not every update went through—that would have meant a crazy level of duplication. We restricted these to a recently completed series of cars (e.g. one model line, multiple… Read More »Innocenti’s ADO16s

1972 Mazda Chantez GFII in blue.

Sing-along-a-Maz’

Mazda’s Chantez remains one of the brand’s most intriguing entries

Aston Martin DB5 and DB12.

Autocade Yearbook 2024 online

The original Autocade Yearbook, as endorsed by former Top Gear presenter William Woollard, and award-winning motoring writer and editor Giles Chapman, available here as a digital edition.